The Waning Moon, like all the other Monolithian releases, is a bass-fetishist’s wet dream.Read more "Monolithian: The Waning Moon"
Tentacled slug-creatures, shipwrecks and nautik funeral doom – Weird Metal Blog investigates Ahab’s 2015 concept album ‘The Boats of the “Glen Carrig” and William Hope Hodgson’s eponymous source novel.Read more "The Boats of the “Glen Carrig”: Ahab and William Hope Hodgson"
In Part One of our 2016 round up, Weird Metal Blog discusses Wardruna’s latest album and shows as personal highlights of the year.Read more "Weird Metal Round-Up for 2016, Part One"
Review of Merzbow’s latest vinyl release ‘Kakapo’ through environmentally-conscious record label Oaken Palace, with label profile.Read more "Merzbow, ‘Kakapo’ (Oaken Palace Records)"
Legion of Andromeda are a two-piece industrial/noise/black metal outfit from Tokyo, Japan, and Iron Scorn is their first full-length recording, produced by Steve Albini no less. I picked up the cassette at a gig supporting Ommadon at the Unicorn, Camden, earlier in the year. This proved to be an extremely intense and uncomfortable performance – due to […]Read more "Album Review: ‘Iron Scorn’ by Legion of Andromeda"
Released on Atomsmasher Records in 2015, The Finest Day I Ever Lived, Was When Tomorrow Never Came is the debut album from Falmouth’s finest doom/black metal duo Monolithian. Combining the seriously bad-ass bass-playing and varied vocal styles of frontman Simon with Shannon’s solid drumming, Monolithian are a formidable live force. Weird Metal Blog knows this, having […]Read more "Album Review: ‘The Finest Day I Ever Lived, Was When Tomorrow Never Came’ by Monolithian"
My cassette copy of the fourth release by French duo Deveikuth, entitled VII-π-III, arrived in a rather attractive cloth bag marked with their ‘Desolation’ rune. The band included a handwritten message thanking me for my support, and promising ‘Funeral Drone x Funeral Noise x Not Music’. The tone for the album is set first by […]Read more "Album Review: ‘VII-π-III’ by Deveikuth"